Kate is a multi-genre composer and producer working across all forms of media, working as a director, sound engineer, composer and sound designer

Kate has won various audio awards for her directing and sound work including:

• Winner of 2024 Audio UK 'Best Audiobook Producer' Award

• Best UK Produced Audiobook at the 2024 Audie Awards (Someone Else's Shoes, Producer/Director)

• Best Fiction Audiobook at the 2024 British Book Awards (None of This is True, Producer/Director & Composer)

• Silver Winner for Best Ensemble at the 2021 New York Radio Festival Awards (Judge Dredd America, Production Manager & Composer)

• Bronze Winner for Best Narration Ensemble at the 2022 New York Radio Festival Awards (Keisha The Sket, Co-Producer and Production Manager)

Kate's work has featured on international marketing campaigns such as Bill Gates' How To Prevent The Next Pandemic (2022), and national radio and podcast campaigns such as Richard Osman's Thursday Murder Club (2020) and David Attenborough's A Life on Our Planet (2020).

She has a huge roster of work across various genres and project types including music for young listeners (James Acaster's rendition of James and the Giant Peach (2022), Emma Thompson's Jim's Spectacular Christmas (2022), Nathan Bryon's Listen Up! collection (2023)), as well as Sci-Fi projects (a 3 hour electronic music score for Judge Anderson: Shamballa (2022), sweeping electro-classical 5 hour scoring for Nemesis the Warlock (2022), and a heavy metal score for Judge Dredd vs Death (2022)) and many Crime scores (None of This Is True (Lisa Jewell, 2023), True Crime Story (Joseph Knox, 2021), The Ugly Truth (L.C North 2023) and more)

She has just finished the score and sound design for her first short film, Devil Root (Asparagus Productions, 2024).

She is also a regular live performer, as a singer and trumpet player, and is the front woman of feminist punk band, Twat Union.

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